Wie alles begann: Das Buch Genesis
Di 8 – 10, Mi 10 – 12, HS XIII
(Beginn 21.10.2025)
J. Filitz
   
Johannesevangelium
Di 14 – 16
Rabinstraße 8 SR 2
(ab 21.10.2025)
A. Despotis
   
Lektüre patristischer Texte
Di 10 – 12, digital
(Beginn 21.10.2025)
W. Kinzig 

   
Kirchen- und Theologiegeschichte V: 19. und 20. Jahrhundert
Do 10 – 12, Mo 14 – 16, HS XII
(Beginn 20.10.2025)
W. Kinzig
    
Jesus von Nazareth
Fr 8 – 10, HS XII
(Beginn 24.10.2025)
H. Löhr
     
Geschichte des Antiken Judentums. Von Alexander d. Gr. bis Bar Kochba
Fr 10 – 12, HS VI
(Beginn 24.10.2025)
H. Löhr
     
Macht, Kontrolle, Gewalt: Ethische Betrachtungen zu den destruktiven Seiten von Religion und Spiritualität
Di 10 – 12, Raum 03-138, Rabinstraße 8
(Beginn 21.10.2025)
K. Opalka
  
Literaturgeschichte des Alten Testaments
Di 8.30 – 10, Mo 8.30 – 10, HS XIII
(Beginn 20.10.2025)
M. SaurHier steht Ihr Aufklapp-Text, der sich mit Klick auf den Titel oder das + ausklappt und mit erneutem Klick auf den Titel oder das - wieder einklappt.

121

Di 12 - 14 Uhr, Hörsaal D (Juridicum), Adenauerallee 24 – 42

Schermaier

 

223

Di 12 - 14 Uhr, Hörsaal E (Juridicum)

A. Scheuch

  
501000001
Erkenntnistheorie
Mo 12 – 14, HS X
J. Rometsch
  
501000003
Einführung in die Logik
Mi 10 – 12, Hörsaal I
E. Brendel
   
501000005
Einführung in die Moralphilosophie
Do 12 – 14, HS IX
D. Lanzerath
    
501000007
Die Grundfragen der Philosophie und ihre geschichtliche Entwicklung 
Di 10 – 12, HS X
W. Gouris
   
501000009
Kulturphilosophie
Di 12 – 14, HS X
M. Forster
   
501000010
Einführung in die Wissenschaftsphilosophie
Mi 12 – 14, HS II
J. G. Michels
   
501000013
Einführung in die Philosophie
Di 16 – 18, HS II
Ch. Horn
   
501000015
Ethik
Do 16 – 18, HS V
D. Lanzerath
   
501025020
Philosophiegeschichte der Neuzeit: Fichtes Wissenschaftslehre
Do 10 – 12, HS VIII
R. Schäfer
      
507026808
Das spanische Theater des Siglo de Oro im transnationalen Kontext
Do 10 - 12, HS XIV
K. Peters
  
507023708
Eine transdisziplinäre Kulturgeschichte der Menstruation (Frz/Ital/Span)
Mo 16 - 18, HS II
L. Tenderini
  
507027201
Soziokulturelle Modelle beim Argumentieren (Frz./ It.)
Mo 12 - 14, HS XI
D. Pirazzini
 
507026001
Sprache und Kognition
Fr 10 - 12, HS II
D. Pirazzini
  
507026801
Sprachkontakt (Frz./Span.)
Mi 12 - 14, HS III
A. Grutschus
   
507022901
Ringvorlesung Frankreich
Mo 18-20 Uhr, IFB Untergeschoss
C. Jacobi
     
510020105
Malerei des 18. Jahrhunderts im deutschsprachigen Raum
Do 16 - 18 Uhr, HS IX
Bitte melden Sie sich bei Frau von der Gönna (bgoenna@uni-bonn.de) per E-Mail an.
R. Kanz
   
510020104
Mittelalterliche Tafelmalerei
Di 16 - 18, HS IX
Bitte melden Sie sich bei Frau Prof. Dr. Kier (h.kier@uni-bonn.de) per E-Mail an.
H. Kier
  
510020103
Von Entenhausen lernen II: Kulturtheorien, Kulturgüterschutz, Kolonialismus und alternative
Narrative
Di 8 – 10, HS IX
Bitte melden Sie sich bei Herrn PD Dr. Dr. Petri (grischka.petri@uni-bonn.de) per E-Mail an.
G. Petri
   
510020101
Ringvorlesung Translocations: International Perspectives
Mo 16-18, digital via Zoom
Bitte melden Sie sich bei Frau Jun.-Prof. Dr. Wasensteiner (wasensteiner@uni-bonn.de) per E-Mail an.
L. Wasensteiner
   

508000273
Einführung in Wirtschaft und Gesellschaft Koreas 
Fr 12 – 14, HS VI
N. Bachem
   
508090926
Sri Lanka and the Wider Indian Ocean World
Aspects of "Global History", "Global Art History" and "Global Archaeology
Do 18 – 20, Raum 0.011, AIK, Adenauerallee 10
O. Kessler
  
Archaeology of Sri Lanka
MI 18 – 20, Raum 0.011, AIK, Adenauerallee 10
O. Kessler
  
508000236
Die islamische Welt in der Moderne
Mo 12 – 14, Nassestr. 2, Raum 2.005/Arabischbibliothek (2. Stock)
(Beginn: 20.10.2025 bis 01.12.2025)
Ch. Schirrmacher
 
508000235
Einführung in die Religion des Islam
Do 12 – 14, Nassestr. 2, Raum 2.005/Arabischbibliothek (2. Stock)
P. Manstetten
  
Mongolei-Colloquium
Die Termine und alle Informationen zum Kolloquium werden hier bekannt gegeben:
https://www.ioa.uni-bonn.de/mongtib/de/colloquien/mongoleicolloquien
Homepage:
https://www.ioa.uni-bonn.de/mongtib/de/startseite
      
505200401
Historische Textlinguistik
Mo 10 - 12 Uhr, HS XII
C. Wich-Reif
  
505300404
Maria Magdalena Medium
Di 10 - 12 Uhr, HS XI
A. Polaschegg
  
From the Institute of Psychology

The following lectures will take place in the lecture hall of the Institute of Psychology, Kaiser-Karl-Ring 9:
   
552101301
Gegenstand, Geschichte und Methoden der Psychologie
Do 14 - 16 Uhr, Hörsaal
U. Ettinger
  
552102301
Motivation, Emotion und Lernen
Do 16 – 18 Uhr, Hörsaal 
H. Gibbons
   
552102201
Arbeits- und Organisationspsychologie
Do 8 - 10 Uhr, Hörsaal 
G. Blickle
   
552102201
Differentielle sowie Arbeits- und Organiationspsychologie
Do 8 - 10 Uhr, Hörsaal 
G. Blickle
   
552101101
Differentielle Psychologie und Persönlichkeitsforschung
Mo 14 - 16 Hörsaal
M. Reuter
  
552102001
Entwicklungspsychologie
Di 14 - 16, Hörsaal
U. Käser
   
552100901
Einführung in Gebiete und Forschungsmethoden der Psychologie und Psychotherapie
Mo 16 - 18, Hörsaal
(Beginn: 20.10.2025)
R. Banse,  I. Grau
    
552101201
Einführung in die Sozialpsychologie
Mo 10 - 12, Hörsaal (Vorlesung)
(Beginn: 20.10.2025)
R. Banse
   
552103401
Einführung in die Rechtspsychologie
Di 18 - 20, Hörsaal (Vorlesung)
(Beginn: 21.10.2025)
R. Banse
    
Einführung in die römische Geschichtsschreibung
Mo 10-12, HS IX
K. Vössing 
  
Die griechische Archaik: Eine historische Epoche und ihre neuzeitliche Rezeption
Mo 16-18, HS IX
N.N.
   
Das Reich der Salier zwischen Kaiserherrlichkeit und Krise
Do 10-12, HS III
M. Becher
  
Theorien der Geschichte
Mo 10-12, HS VIII
M. Rohrschneider
    
Konrad Adenauer in seiner Zeit (1876-1967)
Mi 10-12, HS IX
(Beginn: 22.10.)
Fr. Kießling
   
Das 'Dritte Reich'. Eine Wirtschafts-, Sozial- und Verfassungsgeschichte
Mi 10-12, HS VIII
C. Burhop 
     
Geschichte Osteuropas 1648 - 1815
Di 8-10, HS VII
M. Aust
   
Social Control and Representation of Ruling Power in Russia 16th - early 19th century
Do 14-16, HS XII
E. Marasinova
   

“Interfaces” and “nodes”—as conceptual figures of encounter and connection—refer not only to routes, intersections, and points of contact. They also offer a valuable descriptive model for the unique characteristics of medieval literature and its associated language, structure, and hermeneutics when dealing with medieval texts. Within the framework of this lecture series, we cordially invite you to further develop this descriptive model and to focus your attention on specific interfaces and nodes within a broad phenomenological spectrum in medieval German studies. This exploration can begin with the smallest unit of the texts themselves. One could generally consider literary words and word histories in intrusive discursive contexts, or specifically the concept of interfaces and nodes themselves: with onomasiological curiosity for corresponding names, but also with a semasiological approach, exploring the semantics of *snit* and *snîden* as well as *knote/knode*, including their figurative valences and poetological potential—one need only recall *besnîden* and *undersnîden* as rhetorical and narrative terms, or the impressive career of *knote/knode* in the literature of the Teutonic Order. Furthermore, the second component of each compound also lends itself to spatial narratological considerations, since *Stelle* and *Punkt* are both spatially imbued, interestingly with different spatial extents. Character interactions and character networks, the profile of "mediating figures"/"node figures," or one and the same figure as an interface between different hero or female conceptions, as well as communication modalities in performance situations of extraliterary reality, would be just as much fields of investigation as structural questions, not only regarding narrative plot development or episodic sequence, but also with regard to the convergence of different visual fields, discourses, speech gestures, narrative patterns, genres, or forms, up to and including entire works in the sense of intertextuality and compilation. Beyond the texts themselves, further impulses for understanding the materiality of the tradition are also welcome—for example, when text-image relations, layout techniques and paratextual devices, and strategies for structuring and transitioning between stanzas, songs, short epic texts, long epic chapters, sections, and fascicles can be refocused and considered from the perspective of interfaces and nodes. Here, intricate ambivalences could also be explored – the destructive dimension of cutting or severing, not least in the literal codicological sense, particularly fruitful in contrast to seams, or knotting as a hermeneutically unsettling complication, enigma, and confusion. Finally, meta-scientific and historical reflections are also of interest – for example, theoretically with regard to past or present interfaces between German Medieval Studies and other disciplines, or quite practically through exemplary insights into lived interdisciplinarity. What the lecture series as a whole thus achieves is not merely a thematic realization of the core idea of ​​the event format itself – a format that performatively embodies the imagery and programmatic nature of connecting speakers and discourses, perspectives and approaches. The central focus is on a fundamental aspect of medieval literature: the concept of the "in-between," which inherently aims at encounter and connection. It is precisely this concept that deserves to be more fully grasped and presented, particularly in its profound impact and significance for the modern era. Dates and organizational details:

20. Oktober 2025
Prof. Dr. Claudia Lauer
‚Schnittstellen‘ und ‚Knotenpunkte‘. Einführendes
   
27. Oktober 2025
PD Dr. Peter Glasner / Dr. Mirna Kjorveziroska (Bonn)
Ich weiz wol, ir ist vil gewesen, / die von Tristande hânt gelesen … Intertextuelle Schnittstellen von Überlieferung und Übersetzung, Reim- und Erzählkunst bei Karl Simrock
   
3. November 2025
PD Dr. Tanja Mattern, Universität Düsseldorf
Gastvortrag 
   
10. November 2025
Dr. Birgit Herbers / Prof. Dr. Claudia Lauer (Mainz / Bonn)
Einmalige Wörter oder was Literaturwissenschaft und Lexikographie miteinander ins Gespräch bringt. An der Schnittstelle einer mediävistischen Zusammenarbeit
    
17. November 2025
Prof. Dr. Martin Schubert, Universität Duisburg-Essen
Alsus undersniten – Die Große Heidelberger Liederhandschrift am Schnittpunkt von Überlieferung und Edition
   
1. Dezember 2025
Prof. Dr. Klaus Kipf, Universität Aachen
Otfrids von Weißenburg ‚Liber evangeliorum‘ – eine marginale Schnittstelle zwischen Volkssprache und lateinischer Schriftkultur in der Karolingerzeit
   
8. Dezember 2025
Melinda Michel / Dr. Birgit Zacke (Bonn):
Kein(e) Heil(ung) in der Flucht – Die Pest als Knotenpunkt der Memoria und Schnittstelle von Frömmigkeit und Heilkunde 
   
15. Dezember 2025
Prof. Dr. Franziska Wenzel, Universität Frankfurt a.M.
Mediale (Berührungs-)punkte in Text-Bild-Gefügen
   
12. Januar 2026
Dr. Philipp Friedhofen, Universität Mannheim
Vom Recht in der Dichtung – oder: Wie(so) Gahmuret dazu verurteilt wird, Herzeloyde zu heiraten
  
19. Januar 2026
Prof. Dr. Elke Brüggen / Prof. Dr. Franz-Josef Holznagel (Bonn / Rostock)
Berührung – Überschneidung – Verdichtung. Vom Wert multipler Zugänge zur mittelhochdeutschen Lyrik
   
26. Januar 2026
Prof. Dr. Cornelia Herberichs, Université Fribourg / Schweiz)
Legendarische Transformationen. Beobachtungen zur Rezeptionsgeschichte von ‚Der Heiligen Leben‘ an der Schnittschnelle von Handschriftenforschung und Literaturwissenschaft
   
2. Februar 2026
Prof. Dr. Kathrin Chlench-Priber / Prof. Dr. Claudia Lauer (Bonn)
Zur Produktivität von ‚Schnittstellen‘ und ‚Knotenpunkten‘ aus germanistisch-mediävistischer Sicht. Abschließendes
    
Kontakt
Prof. Dr. Claudia Lauer 
Heike Fitzler 
Mail: sekretariat.lauer@uni-bonn.de
 
Further information:
https://www.iglk.uni-bonn.de/de/institut/abteilungen/germanistische-mediaevistik/forschung/projekte/schnittstellen-und-knotenpunkte-ringvorlesung-der-germanistischen-mediaevistik/schnittstellen-und-knotenpunkte-ringvorlesung-der-germanistischen-mediaevistik

Zoom-Link:
https://uni-bonn.zoom-x.de/j/65632025609?pwd=gEKe7JJPN5Y6cLaCnO15B305rNFRnE.1
(in English)
 
Tuesday, 6:15 to 7:45pm (CET)
 
In cooperation with Brandenburg Center for Media Studies
Organizers: Svea Braeunert, Birgit Mersmann, Jens Schröter
 
From automated navigation to weather forecasts and data visualization to painting, abstraction has an undeniable presence in the contemporary world. Yet, it not only represents but also creates worlds. It is an operative concept that likewise possesses an imaginary thrust for perceiving things otherwise. As such, abstraction comes in many different forms: It is an aesthetic, a technology, an epistemology, and a practice; therefore, it is also a political attitude, a mode of description, a tool of complexity reduction, and an instruction for intervention. Depending on its context and use, it can take on radically different connotations, ranging from dehumanizing to appealing, from affirmative to critical, from incorporated to autonomous.
Taking its cue from the different meanings and applications of abstraction, the lecture series “Abstraction Today: The Real and the Imaginary” is designed as an interdisciplinary endeavor with a focus on visual media and digital culture. Most digital technologies (like networks, computer simulation or artificial intelligence) and correlated practices are closely connected to different forms of abstraction on different levels. To do justice to the complexity of the phenomenon, the aim of the series is to bring together a group of international scholars, artists, and curators who will speak on abstraction today as it unfolds in fields such as art, photography, film, design, image science, visual culture studies, philosophy, and more. Grounding the inquiries into the contemporary conditions of abstraction will be contributions focusing on its historical lineage, most importantly its emergence within the discourse of modernism to be understood in its global and postcolonial plurality. We are indebted to a rethinking of art history and media studies beyond the Global North, and we are particularly interested in how the once supposedly universal category of abstraction has taken on meaning in regard to situated positions such as queer abstraction, Black abstraction, or Indigenous abstraction.
The lecture series is co-organized by the Department of Media Studies and the Institute of Art History at the University of Bonn as well as by the Brandenburg Center for Media Studies in Potsdam where it will be part of the curriculum for BA and MA students in Media Studies and Art History. It will take place each Tuesday from 6.15 to 7.45pm (CET) with dates from October 14, 2025, to February 03, 2026. Each lecture is supposed to be no more than 40 minutes, followed by discussion. To guarantee an international reach and provide a model for sustainability, we will hold the lecture series as Zoom webinars. Following the series, the lectures will be available via a dedicated homepage to serve as a future resource for students, scholars, cultural practitioners, and the public.
With “Abstraction Today,” the lecture series is addressing a topic of timely concern that is of relevance to a range of different fields and people. It responds to the shifts effected by increasingly digitized societies, and it does so in a way that is both critical and aspirational. In the interwar period of the 1920s, Paul Klee suggested that “the more horrible the world is (as today) the more abstract art will be, whereas a happy world produces realistic art.” Given the state of the world 100 years later, one might be inclined to agree with Klee. Yet, the real today is also produced by the abstract, just as the abstract is an imaginary of the real–and that, we find, makes it worth investigating abstraction anew.
  
Program:
 
October 14, 2025
Introduction 
  
October 21, 2025
Razvan Ion (DerAffe, Vienna)
The Multiverse of Critical Thinking Radical AI
  
October 28, 2025
David Getsy (Art History, University of Virginia)
Unnatural Relations: Stories of Queer Abstraction in American Art
 
November 04, 2025
Evan Hume (Photography, Iowa State University)
Abstraction and Redaction in Photographic Archives
  
November 11, 2025
Till A. Heilmann (Media Studies, Ruhr University Bochum)
Sharpness Abstracted
  
November 18, 2025
Henning Engelke (Art History, University of Arts Linz)
“Zones of Activity”: Abstraction, Digital Culture, and Analog Experimental Film
  
November 25, 2025
Isabel Wünsche (Art History, Constructor University Bremen)
Beyond Western Avant-garde Approaches: Abstraction in a Global Cross-Cultural Dialogue
  
December 2, 2025
Sabine Eckmann (Director and Chief Curator, Kemper Art Museum at Washington University in St. Louis)
Abstraction, Sensation and the Digital
   
December 9, 2025
Sven Luetticken (Art History, Leiden University)
Lethal Abstraction and Alter-Abstractions
   
December 16, 2025
Kim Albrecht (Information Design, Folkwang University Essen)
Data Visualization as Abstract Realism
   
January 13, 2026
Birgit Schneider (Media Studies, University of Potsdam)
Making Climate Data Graspable through Visualization and Sonification in Art and Science
   
January 20, 2026
Alberto Toscano (Sociology, Goldsmiths London)
A Practice of Abstraction: Race in the Field of Vision
  
January 27, 2026
Crystal Z. Campbell (Art, University of Buffalo)
The Underloved
    
February 03, 2026
Closing Discussion
 
futher Information
https://www.medienwissenschaft.uni-bonn.de/lehrveranstaltungen/abstraction-today-1