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SUMMARY:Abstraction\, Sensation and the Digital
DTSTART:20251202T181500
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DTSTAMP:20260420T060030Z
UID:156361c012e040f6a8f4971035b2f6be@www.uni-bonn.de
CREATED:20251020T120510Z
DESCRIPTION:This paper will examine early forays into the digital such as 
 Michel Majerus’ digital projections\, that included his virtual archive 
 of Abstract Expressionist brushstrokes by Willem de Kooning and others. It
  also explores the ways through which Albert Öhlen’s digital paintings 
 navigate the tensions between virtual shapelessness and factual form. Both
  artists tested the ways through which these clashes of virtual and materi
 al\, functional and autonomous\, might generate new sensory experiences. S
 everal decades later artists such as Jacqueline Humphries\, Firelei Báez\
 , Aria Dean and Julie Mehretu are more forthright: In different ways they 
 use digital mechanisms and reproduced images of violence to retrieve in th
 eir paintings and sculptures empathy\, subjectivity and sensation.
LAST-MODIFIED:20251020T132226Z
URL:https://www.uni-bonn.de/en/events/abstraction-sensation-and-the-digita
 l
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